contemporary art, visual arts, fine arts, artwork, artist, art theory, United States USA

lili-oto artiste plasticien et artiste contemporain en art contemporain et arts visuels.

2010-09-27T12:10:00.000-07:00

lili-oto artiste plasticien et artiste contemporain en art contemporain et arts visuels.: "– Envoyé à l'aide de la barre d'outils Google"

Lyon Biennial of Contemporary Art Out

2009-07-03T08:15:00.000-07:00

"Lyon Biennial of Contemporary Art Out" is a art blog, a site for french artists opposed or against the official Lyon Biennial of Contemporary Art

LYON CONTEMPORARY ART BIENNAL 2009, FRANCE

today's life is not in a biennal of contemporary art in Lyon in France

Artists in France in danger of death. We need international assistance

2009-02-10T06:45:00.000-08:00

creation in France of a council for the contemporary creation headed by the President of the Republic in France (President Sarkozy and Karmitz)

It is surprising to see a head of state Sarkozy French in a democratic country that designate himself as "president" of "counsil for the contemporary création". We have in our minds the same attitude of some totalitarian states towards the creation and artists, Stalin, Mao, Hitler, Mussolini, Louis XIV, Franco, etc?

President of the Republic in France Nicolas Sarkozy states to want “to give a kick in the anthill". Today, French artists we believe that we are threatened and endangered. We are afraid, the french artists are in danger or peril of their lifes? With Sarkozy we live in poverty, let us live in fear, in terror, in fear and repression in France and in Europe? artist, I am very worried about our future, the international community and artists around the world should support us!

lili-oto.

give your banker a candy-pink guillotine for the new year in 2009 to thank for this economic crisis

2009-01-14T03:03:00.000-08:00

Give your banker a gift this year !

give your banker a candy-pink guillotine for the new year in 2009 to thank for this economic crisis in USA... it's give your banker preferential treatment!

give your eyes a treat!

find a charity You can trust, your guide for intelligent giving!!!

give your feedback on health care crisis

help stop the current financial crisis

lili-oto

Jeff Koons parodied by lili-oto, on his exhibition show at Versailles Castle in France !

2008-11-05T08:46:00.001-08:00

Jeff Koons parodied by lili-oto

No for the neo pop, no for this artistic movement !

No for this wall street art !

The dissident french artist Lili-oto parodies the exhibition shows Jeff Koons at the Versailles Castle, facing the economic crisis, facing a bank crisis, the artistic movement New Relativity, artjacking, culture jamming, 2008.

for the monarchs of Stock Exchange in the world

for the monarchs of banks in the world

No for an art of Sun King in our democracy

the only art work of news for the whole year 2008

Museum of Contemporary Art, patrons of artists and collectors of contemporary art:
How to acquire this art installation, this guillotine is not sharp because it is a artwork. We are not killers or wild as those that control banks and stock exchange in this world. a certificate will give you permission to make this artwork, available on ebay. lili-oto

hope - new dreams - culture unconventional - society projects -

we want a New Deal for the world

original french blog page link : http://www.lili-oto.com/article-23969911.html

Photo exhibition "Utopia and Reality", contemporay project for the Rural Development and rural world

2008-11-03T09:21:00.000-08:00

the french newspaper the Dépèche, "Quillan the castle as you've never seen"

contemporay project for the rural world

We are all equal facing of our contemporary culture that we live in large cities or in our countryside

Photo : Lili-oto photographed with its proposed contemporary art museum on the ruins of the castle in a small town.

Lili-Oto presents a series of architectural and urban Utopias for the town of Quillan requiring gigantic means for mega-projects some worthy of our larger French cities.A new urban landscape for Quillan? A Quillan dreamed in the imaginary of an artist accustomed and familiarized with work in big cities. Utopias which combine the absurdity, the freedom and the illusion as well as some unconcern claimed by the artist.This show is opposed to the rational speeches and the current methods of marketing which often encircle us and lead to a true fall of the illusions like the crisis that we undergo. This photomontage expresses a radical rupture between our reasonable and logical universe which is opposed to this permanent search of the improbable by artists. They invent or create their own system of representation which marks variations with the normality in our lives.The artist is proposing: a “storks’ lake” next to the Espace Cathare, to hide the church under the - Place of the Republicimagining the visit of the catacombs of Quillan by going through the church bell-tower, a ultra contemporary museum in the enclosure of the old castle dominating the city, (a thought for the Guggenheim museum in Bilbao), a flying sculpture on top of the Old Bridge… Contemporary artist but also chief decorator for the cinema and the TV, the artist takes the “piss” of reality by telling us that despite the absurdity of all these Utopias if the budgets necessary to this kind of projects were not a damper they are probable and realizable. In reality the rational thought and the price to be paid for this economic crisis are more expensive than some of the most insane architectural Utopias which sometimes have lived through the history of our civilizations. One should not confuse virtual and dreams, with a warning from the artist: “the limit of any shared Utopia and partisan’s politic is the dogma”. lili-oto

original french blog page link : http://www.lili-oto.com/article-23835307.html

Proposal for an International Art Fair against speculative international market of the contemporary art and visual arts, art prospects, market reforms

2008-11-03T06:21:00.000-08:00

New and emerging economic prospects for the artists in the world. Art equitable market, market reforms (equitable manner). Fairness.

Governance institutions more equitable and art market mechanisms, equitable market value, we must transform the current destructive international art market, to protect our contemporary creation and our contemporary artistic practices. the art market is considerably volatile. The art market is sensitive to international economic crises. Golden rules. The recognition arts and artistic practice as a basic human rights involved in the construction of the dignity of the person. The recognition that all activities of artistic creation and contemporary public order. Respect for the fundamental right of artists to live fairly for their work. The recognition that only the artist has a moral right on his works on his artistic production and dissemination. The recognition that the artist can at any time to request in writing as having only the moral right on his artistic production and distribution to professional art gallery to be released from the obligation of exclusivity. The art gallery will receive a professional commission that in no case exceeded 50% of sales (Prices excluding tax) in return for its services, production costs of works are always at the expense of the art gallery. The recognition of the concept of "equitable distribution" in public collections and exhibitions public must absolutely respect the plurality of contemporary creativity between different generations and current artists living. The recognition that political censorship or exclusion of artists for political reasons is a crime under the criminal law and that crime is the responsibility of the national criminal courts or international criminal courts. The obligation of States to renounce subsidize, assist or purchase of artworks in galleries professional who refuse to sign this rule (or against the rules). The ban in Europe to subsidize the cultur of the European member states which have not ratified this rule.

lili-oto and european association of artists, APEA.

Be careful with this translation French-English, see link to the original French blog : http://www.lili-oto.com/article-21755550.html

lili-oto an bug, Experimental opera, contemporary art. A laser harp sensitive

2008-11-02T06:37:00.000-08:00

Experimental opera, contemporary art with a laser harp sensitive.
Lili-oto : intallation wooden shacks and videos projected on the wall
Bug : music with the laser harp sensitive
on the photos, you see Bug.

See video experimental opera : http://video.google.com/videoplay?docid=-8612481931587013700&ei=FQATSdDAIILi2gKTtICoDg&q=lili-oto

Welcome to the first biennial of contemporary art on the net

2008-05-24T03:17:00.000-07:00

The first biennial of contemporary art on the web

This biennial of contemporary art or visual arts with a duration of two years open a heterogeneous space available to artists to support the creation, their artistic activity, dissemination of their artworks and their singularity. The Biennial allows the artist to create a dynamic for himself. Biennal aims to encourage creativity of artists, public access to culture and the dissemination of the art works on the net. Bloggers publish your articles with your point of view on the artists participating in this event. this biennal offers new prospects to the dissemination of the contemporary creation. We expect the artists involved in this biennal to open up to different movements of artists and to different publics. With the net, with a new vitality and a dynamic development, the conditions are more than favorable to international events for the contemporary art. this event invites buyers to browse amongst the pages. The seasoned collectors can see emerging artists. With the new technologies, the contemporary creation make use of new roads to reach new horizons. Artist, participate in this event and you will not hear as everywhere in France with the cultural institution: "I regret but we can't accede to your request". The creation of new platforms for collaboration and exchange between the artist and the collector of art need to be inspired by a new way of thinking. This space is a laboratory of ideas and creation. Growing out of movements of art dissident in France, " The new relativity ", this biennal provides a platform for intercultural and transdisciplinary practices.
Please remember to mention when you publish your articles : " biennial of contemporary art ".
To participate in this event, you must publish articles and inscribe your blog in this community.
amicably, lili-oto

link : http://www.lili-oto.com/article-19825602.html

link page biennal : http://www.over-blog.com/com-1047553761/biennial_of_contemporary_art.html

Lili-oto : artist video for a post emergence, visual arts, contemporary art

2008-05-10T05:49:00.000-07:00

DIGITAL Art

Video 3D "Spacetime interval in art"

Video for a post-emergence
Movement of the new relativity
Dissident art
Contemporary art, art video in visual arts

Video "The song glance"

Video for a post-emergence
Movement of the new relativity
Dissident art
Contemporary art, art video in visual arts

Video "Farthest condensation"

Video for a post-emergence
Movement of the new relativity
Dissident art
Contemporary art, art video in visual arts

Video "Post emergence"

Video for a post-emergence
Movement of the new relativity
Dissident art
Contemporary art, art video in visual arts

Video "Prohibited Area"

Video for a post-emergence
Movement of the new relativity
Dissident art
Contemporary art, art video in visual arts

New aesthetic thought for the contemporary art for the United States

2008-04-25T14:26:00.000-07:00

This site offers strata of a new aesthetic thought. A critical backbone for a post-emergence in contemporary art in the United States, a new look at contemporary creativity. The flow of contemporary creativity is simply sustaining the concept of art, art has to exist that the sustainability of this flow. the symbol of contemporary art freezes this flow, its rhythm, its frequency, its undulations, and sometimes its aporias his absences or its silences. This label of contemporary art is the freezer of contemporary guaranteeing ownership, control and drainage of this flow to testify then certify a death, the death of contemporary creation as an act founder vital and crucial for the survival of this symbol as a simple extension of an acronym ...

photo: Cone of light - the new artistic movement of New Relativity - The artist Lili-oto explains the developments and prospects of its research started 20 years ago

see the website : http://www.lili-oto.com/

The light is in a ratio 2,5 between two-dimensional space and three-dimensional space. Spatial dimensions. Cone of light, Lili-oto theory

2008-04-21T00:34:00.000-07:00

When I started my research in the mid-80s on the figure intermediary between painting and sculpture, or between the two dimensional and three dimensional, I intuitively thought I thought that the solution could only come to light and therefore a work associated with space light or as I discovered space-light... This is where the American artist Frank Stella stopped in its own research ..

Today I say that light is in a ratio 2,5 or in the dimensional 2,5 .

In space as in my art: three concepts

ratio 2,5

space-light

space-energy

From my point of view in absolute terms, the second and a half dimension exists, or a 2.5-dimension exists, it is a fully-fledged space and according to my theories: the true dimension of the energy space or the concept of space-energy..

I think the notion of time and the concept of speed do not exist in the universe. Therefore, speed and the time are only two element of conceptual value of the space and our limits of representation. The notion of time in reality and in my view can be only a time overdetermined, the time overdetermined is different from a relative time, what does not detract from the relativity.

For me, the figure intermediary between painting and sculpture is necessarily a cone of light, art and science moves closer. There are a cone of light in physics and a cone of light in art. The concept of cone of light are differents in the absolute. The three concept elsewhere, the notion of absolute past and absolute future are closely linked to " become in the sense of emerging " in my art and my philosophy. In French we say : "en devenir"

The big difference between art and physics, is that the cone of light in art is in a ratio of 2.5, a ratio that exists in my mind in physics since this is the true dimension (2,5) of light.

lili-oto

Document contemporary art exhibition variations curvilinear

2008-04-20T00:24:00.000-07:00

You will find below a PDF file from the exhibition "Variations curvilinear" held in in the art space Artoong Studio. Research on space-time, the potential forms ... A window on to the art of today on contemporary creativity in the visual arts.exhibition + publication + event

Document PDF Exhibition-Art-Contemporary-Curvilinear-Variations.pdf

"Prohibited Area" poem and art video lili-oto

2008-04-19T05:34:00.000-07:00

TRANSLATION OF THE TEXT IN ENGLISH OF VIDEO :

"Prohibited Area"

With the destruction of the Berlin wall,
it's one of the signs, one of the spaces
of exclusion which disappears.

I don't take any interest in the wall itself,
but in the "inter-space between the walls",
this prohibited area, this no man's land.

Symbol of the breach between two
political and economic systems, it
materialized interdictions, and was an
invitatation to desires, dreams, and
to the most senseless ideals.

My mother country was this no man's land,
for ever now it will be diluted
and scattered... Lili-oto

Idea, text and speech : lili-oto
Image : P Leblanc

artist, The Trouble With Being, united states, usa

2008-04-18T02:47:00.000-07:00

lili-oto : The trouble with being, The life of an artist, contemporary art, visual arts, fine arts...

The trouble with Being

the trouble with Being Born

the trouble with being nothing

the trouble with being in flesh backbone

the trouble with being angel and tyrant

the trouble with seduction

the trouble with education

the trouble with physics

the trouble with mathematics

the trouble with power

the trouble with culture

the trouble with contemporaneity

the trouble with spectacular

the trouble with morality

the trouble with religions

the trouble with gaps

the trouble with Thought

the trouble with elsewhere

the trouble with being a poet

the trouble with being artist

the trouble with being plastic

the trouble with being consumerism

the trouble with being being Lili-oto

the trouble with being art

the trouble with being the Making

the trouble with being being in a latent

the trouble with being to die

The trouble with being being nothing and being born

piece of writing of a young artist, contemporary art, visual art

2008-04-17T03:27:00.000-07:00

I decided not to touch up and to make no correction in my written texts, young artist, in 1980s. They explain the starting point of my researches and my artistic activity with all awkwardness, naivety of a young artist in its workshop faced with its creation. (These texts accompanied several exhibitions as " ephemeral Gardens " and the first Lyons biennial "OUT" of contemporary art in France.

First glance, first question : Are my works fragments which have been torn away, uprooted and then exhibited, or a chaotic and hazardous assemblage, warering in a combination of destruction and reconstruction ?

All fragments here are systematically made of new materials, and this case, they are not a part of something that "has been", but fragments of a birth.
At the beginning, there is conciousness of... conciousness of a frontal space. When I am in front a wall, in my studio for instance, I have in mind one or several mental images - but not the concept of the "Quadro" (painting).

The first process already splits this space : I hang a transparent PVC film on a very large metallic frame, and I set up between the frame and the wall strong light-spots (1 or 2 Kw), which will light the plastic and leave the wall in obscurity. The PVC film becomes a catalyst of light, through the imperfection of its transparency, and because the heat of the light-spots puts steam on it. The presence of this frontal space is intensified by this light source creating a facticious wall. When I paint on PVC, I get the feeling to paint directly on light, and through the violence of the ligth facing me, through the transparency, I come to the materialization of a frontal space between the wall and me.

Te second process is a choice between a plane surface and a volume. In both cases, the plastic film is "destructured" with cutting-outs and heat - It's the birth of a first fragment, the "Original Fragment" (or "Base Fragment"). The more my thoughts get concious of this frontal space, the more it splits up and grows with the adjunction of other fragments (of walls, tiles...). In this elaboration I don't know "whether I go to the wall, or the wall comes to me".

------------------------------------------------------

I have always been fascinated by the "vis inertiae" of material. For a material, inertia is the resistance to movement linked to its mass. Each material has its own inertia - oil, acrylic, glass, granite, wood, plastic, iron, aluminium,... It's a specific value for each material, reaching beyond the limits of its own physical laws; it becomes a suggestive value, wich sole conciousness lies in the radiance of its own dialectic.

The inertia of material may be seen as the fruit of a "Resonance"; from its very substance, and in the depths of its bowels, it may reveal an "Organic Sonority". Depending on the act, or the intervention, the organic sonority changes, its variations may be identified as "PHONEMAS" (sonant elements of language). The connection of silence and inertiae opens a new field of investigation, another world, and above all another language.

The different materials (of everyday use, and non-precious) : tiles, paper, cardboard, plaster, PVC film, are transposed, their previous "oder of importance" (sign, value, fonction,...) is transgressed in order to reconstitute a new "self value". For instance, the transparent PVC Film becomes a full space when the ligth goes through it, but this new space is ephemeral.
The subject intermingles with the materials being represented (presented again), and its object is an organic composition, where the language of material, the "phonemas", provide a new palette.

Each material is taken into consideration, from the pigment to the light, nothing is excluded. As to my object, the absence of references withdraws it from figurative or abstractive art. No writing, whether philosophical or spiritual, is mine. Therefore, all fragments brougth together don't vibrate but with their own being, their interactions. They are no parts of a whole, an entity, like the painting, but a CONSTELLATION.

lili-oto